Certified gold for her debut album Toï Toï, twice nominated at the Victoires de la Musique (Best Female Artist in 2021 and Révélation Scène in 2020), and a major touring success (over 450 concerts and a first Zénith de Paris ahead), Suzane has established herself in just a few years as a key figure on the French music scene.

Her strength lies in her sharp writing, powerful lyrics and magnetic stage presence. Blending realistic French chanson, electronic sounds and new pop, Suzane refuses labels and challenges conventions. Her music holds up a mirror to society, turning the personal into the universal. On stage, her favorite playground, she unleashes a raw, visceral and contagious energy, delivering shows of rare intensity.

With Millénium, her third album, Suzane presents her most intimate and committed work to date. Deeply rooted in the spirit of the times, the album unfolds as a fresco of the challenges faced by the millennial generation — its struggles, wounds and hopes. A direct yet poetic and deeply human vision of a chaotic world in need of change.

Through sensitive yet powerful electro, finely crafted lyrics and her distinctive voice — now also as her own producer — Suzane calls for action and for transforming our dystopian present into a more utopian future:

“Millénium is the reflection of the world as I see it. A hyper-connected world, often disconnected from what truly matters. I wrote this album as a message of hope.”

Recorded and produced in collaboration with Valentin Marlin in his Montmartre studio, the album questions our era with clarity and aims to awaken awareness. A free voice, standing tall and determined to remain so.

The tone is set with “Je t’accuse”, the first single and a striking video (+20 million combined views and streams). Directed by Andréa Bescond, the clip brings together victims of sexual and sexist violence in a powerful rallying cry. A cathartic song that marks a turning point in Suzane’s artistic journey.

Other standout tracks include “Humanoïdes”, addressing technological frenzy, “Un sens à tout ça”, echoing the existential unease of a generation in search of meaning, and “Lendemain de fête” and “Champagne”, sharp and danceable takes on our craving for artificial carefreeness.

Finally, Suzane celebrates unity through “Plus que moi”, a duet with Youssoupha, and “Au grand jour”, a declaration of universal love where loving becomes an act of resistance.

With Millénium, Suzane no longer merely tells stories: she denounces, embodies and claims. An intense, deeply felt album — a mirror of its time, designed to resonate today and endure tomorrow.